Ballet Hispanico
 

Faculty

 

AnaMaria Correa (Director, School of Dance) AnaMaria is delighted to be part of Ballet Hispanico! She has worked in arts in education in the disciplines of theater, dance, music, visual art, creative writing and architecture with organizations like the Henry Street Settlement’s Abrons Arts Center, Jewish Museum of Florida, Brooklyn Historical Society and Washington State University’s “Performance as Education” program. . ...READ MORE...

 

Nicholas Villeneuve (Deputy Director, School of Dance) Nicholas Villeneuve is currently the Deputy Director for the Ballet Hispanico School of Dance and Rehearsal Director for BHdos, the second company of Ballet Hispanico. BHdos provides educational and professional opportunities for pre-professional dancers ages 18-22 and bridges the gap between the many facets of the organization from the school to the professional company. ...READ MORE...

 

Caridad Martinez (Pre-Professional Coordinator), a former principal dancer with the National Ballet of Cuba, has performed in many of the world's greatest theaters, including Scala de Milano, the Champs Elysses Theatre in Paris, the Metropolitan Opera House in New York, the Beaux Arts Theater in Mexico City, and the Kirov Theater in Saint Petersburg. ...READ MORE...

 
 

Mariangela Lopez (Adventures in Dance Coordinator) is a native of Caracas, Venezuela, and has been teaching movement and dance for ten years. She is a graduate of The Boston Conservatory (BFA in Dance, 1999). After graduation she moved to NYC to continue her career as a dancer, choreographer and dance educator. ...READ MORE...

 
 
 

Kiri Avelar (General and Pre-Professional Spanish & Flamenco) began her dance training as a scholarship recipient with the Boston Ballet and Milwaukee Ballet Schools, later performing with the Milwaukee Ballet under the Artistic Direction of Simon Dow. In New Mexico, she furthered her studies in Classical Spanish dance and flamenco while earning a B.A. in Dance Education (honors) from New Mexico State University. She is the Founding Director of Academia de Ballet Emmanuel, an after school program that provides quality dance education for the children of Hogar de Niños Orphanage, in Ciudad Juárez, Chihuahua, México. She has served on the dance faculties of New Mexico State University, El Paso Community College (TX), Barbara Driscoll School of Ballet (TX), Sharron Miller’s Academy for the Performing Arts (NJ), and as a teaching artist in both private and public schools. She is currently a performing artist for the Queens-based Spanish dance company, the American Bolero Dance Company, and on faculty at Ballet Hispanico.

Franchesca Marisol Cabrera (General and Pre-Professional Classical Spanish) 
is a dancer, choreographer, director and instructor actively involved in the dance community for 25 years. She began her dance training in Santa Barbara, California, in the styles of Classical Spanish dance, Flamenco, Baroque, Ballet and Mexican Folklorico. A graduate from the University of California, Los Angeles with a Bachelors’ of Arts degree in World Arts in Cultures, Franchesca also lived in Madrid, Spain, for three years, receiving her credentials in Danza Española and Flamenco. She has traveled much of the world to perform, including London, Mexico, South Korea, Spain, and Hong Kong. Franchesca has grown to love working with young children in arts education and outreach to public schools enriching and sharing the importance of the performing arts. In 2011, Franchesca completed her Masters of Arts Degree from New York University on integrating arts into curriculums for elementary school classrooms with an emphasis on critical thinking. When Franchesca is not teaching she can be found performing with the Brooklyn based dance theatre company, COMPANYXIV.

Yvonne Gutierrez (General and Pre-Professional Spanish & Salsa) is an instructor, coach, and choreographer of Cuban descent. She has a BS in Computer Science from Pace University and has been on the dance faculty of Henry Street Settlement since 1991, where she initiated their flamenco and salsa program. She is also a member of Flamenco Latino NYC. Under director and choreographer Luis Montero she appeared as guest artist in the Wilmington Opera House for the production RAICES: the History of Flamenco. Prior companies include: AllNations Dance Company, Eddie Torres Dance Company, Luis Montero Spanish Dance Company as well as Ballet Hispanico's second company. In the world of Mambo/Salsa, Yvonne has been rehearsal director/choreographer of the New York Copacabana Dancers and instructor at their official school, Dance On 2 Studio. "Herencia," her youth dance company, debuted at the Copacabana Night club. She also performed with the legendary Tito Puente, including a tour to Italy, under the direction of Eddie Torres. Yvonne has also taught for the New School University, Cache Dance Studios and Purelements, as well as workshops about "Dancing to the Music from the Soul.”

Liliana Morales (Pre-Professional Flamenco) A native New Yorker, Lilana Morales started dancing at the age of 5. By the time she was 8, she was performing small roles in New York opera companies. Not surprisingly, her first role was in Carmen with the Amato Opera Company. In August 1969, Liliana headed to Madrid, where she began studying with Jose Granero, a ballet dancer from the Jose Greco Dance Company. Her studies were cut short by her mother’s death, which brought her back to New York. But when Morales returned in 1971, she quickly plunged herself into Spanish dance culture. For the next five years, she built a reputation in Madrid’s famous tablaos, including Café De Chinitas, Torres Bermejas, Los Cabales and other celebrated Flamenco venues.

Gabriela Trigueiro (Pre-Professional Flamenco) received a B.A. with concentrations in Spanish Literature and Dance studying at the University of Wisconsin-Madison and La Universidad de Sevilla. Her formal Flamenco and Spanish Classical dance training was garnered in Spain (Fundación Cristina Heeren and La Academia de Matilde Coral) and in New Mexico, where she was a company member and grant writer at the National Institute of Flamenco. In 2009, Trigueiro was recruited to teach in the flamenco communities of Northern California; she was an instructor for Arte Flamenco, Sacramento Ballet, San Francisco's ODC, and the Mission Cultural Center for the Arts. Before relocating to the East Coast, Trigueiro was performing with the San Francisco-based company Andanza and a concurso winner of the 2011 Tucson Flamenco Festival. Currently, Trigueiro is working and teaching for Ballet Hispanico in New York City and the New Haven Ballet in Connecticut.



 

 

Caridad Martinez (Pre-Professional Coordinator, Ballet Mistress): Formerly a principal dancer with The National Ballet of Cuba, Caridad Martinez has performed many Classic and Contemporary Masterpieces in the great theaters around the world such as Scala de Milano, The Champs Elysses Theatre in Paris, Metropolitan Opera House in New York, The Beaux Arts Theater in Mexico City, Bolshoy Theater in Moscow and The Kirov Theater in Saint Petersburg Russia. During this time Ms. Martinez served as Artistic Director of the Habana Ballet Theater Company. ...READ MORE...

 

Juan Carlos Peñuela (Ballet Master Pre-Professional Program) A native of Cali, Colombia, Juan Carlos Peñuela began dancing at the age of 12 with Incolballet, a ballet-center secondary school. After graduation, Mr. Peñuela was invited to join Colombia's ballet company as a soloist, Ballet de Cali, by Artistic Director Gloria Castro where he performed in a variety of leadings roles in contemporary works as well as classical pieces. Mr. Peñuela moved to the USA in 1993 and danced with the Ballet Arizona in Phoenix, Dance Theatre of Harlem, Pennsylvania Ballet, Maximun Dance Ballet Gamonet. . ...READ MORE...

 

Raquel Valiente (General Program Ballet) is a choreographer, performer and teacher. She discovered Folkloric and Latin American rhythms in her native El Salvador, where she was born and raised. As a child she regularly danced on the popular children’s TV show Mr. Cuk, on televised telethons and theatrical productions. In 2005 she moved to New York to study under the direction of Ballet Master Frank Augustyn at Adelphi University, where she earned her BFA in dance. ...READ MORE...

 
 Zelma Bustillo (Pre-Professional Ballet) has an artistic career that spans a period of 35 years as an exceptional soloist dancer, a teacher and director in all levels of dance. Zelma Bustillo came to the United States as a child from Colombia and was raised in New York City. She started her formal dance training in New York at The High School of Performing Arts and at The School of Ballet Repertory at the age of 14. With a full scholarship at these schools, she studied Ballet with Thalia Mara, Olga Tavolga, Bela Melinka and Arthur Mahoney. In Modern Dance she trained with Gertrude Shurr, Stuart Hodes and David Wood. In Character Dance she studied with Yurek Lazowsky. As a pre-professional, Ms. Bustillo danced with The Ballet Repertory Company. After only 6 years of training, her first professional engagement was with Festival Ballet in Providence, Rhode Island, dancing soloist roles and working with directors Christine Hennesy and Renzo Reiss. Soon after, she was invited by Robert Joffrey to join his company.  ...READ MORE...
 

Mariangela Lopez (Pre-Professional Ballet, Adventures in Dance Coordinator) is a native of Caracas, Venezuela. She is a graduate of The Boston Conservatory (BFA in Dance, 1999). In 2001, Mariangela became a Certified Movement Analyst (CMA) from the Laban Institute of Movement Studies. She has done extensive outreach teaching, and in 2005 she worked with Gina Gibney Dance to develop a curriculum specially designed to teach movement to children living in shelters.  ...READ MORE...

 

Meridith Szalay (Ballet and Modern) received her BFA in Dance from The University of California, Santa Barbara. After graduating in 2002 with honors Meridith attended American Dance Festival on full scholarship at Duke University. The highlights of Meridith’s performing career include the lead role in the dance drama “Dreams of a Picture Bride,” The Little Orchestra Society’s production of “Peter and the Wolf”, she was a “Hot Box Girl” in “The Heights Player’s” production of “Guys and Dolls." ...READ MORE...

 

Rebecca Tsivkin (Ballet, Adventures in Dance)  is a member of the Royal Academy of Dance in London, where she received a teaching degree after completing an intensive three-year program. She has taught in Montessori schools and ballet academies on the East and West Coasts, and she was a guest teacher at the California State University at Fullerton and the University of New Hampshire. She is a judge for the Performance Awards of the American Academy of Ballet, and is on faculty at a ballet summer school program at Purchase College.



 


 

 Mariangela Lopez (Pre-Professional Ballet, Adventures in Dance Coordinator) is a native of Caracas, Venezuela. She is a graduate of The Boston Conservatory (BFA in Dance, 1999). In 2001, Mariangela became a Certified Movement Analyst (CMA) from the Laban Institute of Movement Studies. She has done extensive outreach teaching, and in 2005 she worked with Gina Gibney Dance to develop a curriculum specially designed to teach movement to children living in shelters.  ...READ MORE...


Meridith Szalay (Ballet, Modern, Adventures in Dance) received her BFA in Dance from The University of California, Santa Barbara. After graduating in 2002 with honors Meridith attended American Dance Festival on full scholarship at Duke University. The highlights of Meridith’s performing career include the lead role in the dance drama “Dreams of a Picture Bride,” The Little Orchestra Society’s production of “Peter and the Wolf”, she was a “Hot Box Girl” in “The Heights Player’s” production of “Guys and Dolls." ...READ MORE...

 

Rebecca Tsivkin (Ballet, Adventures in Dance)  is a member of the Royal Academy of Dance in London, where she received a teaching degree after completing an intensive three-year program. She has taught in Montessori schools and ballet academies on the East and West Coasts, and she was a guest teacher at the California State University at Fullerton and the University of New Hampshire. She is a judge for the Performance Awards of the American Academy of Ballet, and is on faculty at a ballet summer school program at Purchase College.

 



 

Michael Fielder’s (General Program Jazz) performance credits stretch from Broadway to television. Michael performed on Broadway as well as in the National Tour of the 2008 Tony award winning musical “IN THE HEIGHTS.” Other credits include: Off Broadway “Mambo Kings” the musical, Paper Mill Playhouse’s “Carnival”, Metropolitan Opera in “Samson et Delilah” and the Public Theatre’s “Skin of our Teeth”. Regional credits include: Swing, All Shook Up, and Seven Brides for Seven Brothers. Michael also worked with talented artists such as The Back Street Boys, Liza Minnelli, Don Omar, and Mariah Carey.  ...READ MORE...


 

Amanda Marquez (General Program Jazz) received her earlier training with the School of the Garden State Ballet in New Jersey in classical and contemporary ballet, modern dance and theater. She continued and expanded her training in Jazz, Contemporary, Ballroom and Mambo in California and New York.  ...READ MORE...

 

Siomara “Cee Cee” Bridges (General Program Hip Hop) earned a BA in Dance Education from CUNY Hunter College as a Jody Arnhold Mother’s Day Scholarship honoree. She has been teaching different fusion styles of dance and creative movement to youth and adults since she was a teenager at places such as the Astoria School of Fine Arts, The Dalton School, Mambo 101 Studios and the Ridgewood Bushwick Youth Council. In the spring of 2011, Siomara was selected to develop and co-teach a curriculum on “Urban Dance in America” in partnership with the Costa Rican Ministry of Culture. She developed a lecture/demonstration-style historical timeline of social dances in urban America and facilitated workshops across a number of cities in Costa Rica for three weeks. ...READ MORE...

 
Alexis Rose (General Program Teen Hip Hop) is a choreographer, dancer and teacher and worked in the entertainment industry for over a decade. Most recently she introduced Hip Hop to the students of the Perry-Mansfield Conservatory. As an instructor, Alexis has shared her high energy and talent teaching national and international workshops in Atlanta, GA, Dallas, TX, Washington D.C., Sydney, Australia, Steamboat Springs, Colorado and more.  ...READ MORE...
 

 



 





 

Columbine Macher (General and Pre-Professional Modern - Limón) has worked with several choreographers in New York, such as such as Zeeva Cohen, Amanda Miller, Maxine Steinman, Susan Hefner, and with Eleo Pomare (1987-1999). Currently on the faculty at the Ailey School and Ballet Hispanico, she has also taught at the Limon Institute, at various universities in the United States, and in the Netherlands, Finland and South Korea. Before coming to New York in 1986, she received her dance training at the Folkwang Hochschule in Germany under the direction of Pina Bausch. She holds an M.F.A. from Tisch School of the Arts, New York University. Columbine has been dancing with Maxine Steinman for nine years. 
 

Kevin Predmore (Pre-Professional Modern - Graham) is a former principal dancer with Buglisi/Forman Dance (now Buglisi Dance Theatre) and Pearl Lang Dance Theater and has been instrumental in the creation many of those companies works. He has performed internationally with the Martha Graham Dance Company and the Battery Dance Company and has been a member of Pascal Rioult Dance Company, Coyote Dance Company, Michael Mao Dance Company, Asiad Dance Theater, Carolyn Dorfman Dance Company, and Omega Dance Company. ...READ MORE...

 

Marnie Wood (Pre-Professional Modern - Graham): former soloist with the Martha Graham Dance Company; Director Emerita and current faculty member of the Martha Graham School of Contemporary Dance; Reconstruction Coach for the Graham Company; Professor Emerita University of California Berkeley.

 Rebecca Tsivkin (Ballet, Modern, Adventures in Dance)  is a member of the Royal Academy of Dance in London, where she received a teaching degree after completing an intensive three-year program. She has taught in Montessori schools and ballet academies on the East and West Coasts, and she was a guest teacher at the California State University at Fullerton and the University of New Hampshire. She is a judge for the Performance Awards of the American Academy of Ballet, and is on faculty at a ballet summer school program at Purchase College.



 


 

Columbine Macher (General and Pre-Professional Modern - Limón) has worked with several choreographers in New York, such as such as Zeeva Cohen, Amanda Miller, Maxine Steinman, Susan Hefner, and with Eleo Pomare (1987-1999). Currently on the faculty at the Ailey School and Ballet Hispanico, she has also taught at the Limon Institute, at various universities in the United States, and in the Netherlands, Finland and South Korea. Before coming to New York in 1986, she received her dance training at the Folkwang Hochschule in Germany under the direction of Pina Bausch. She holds an M.F.A. from Tisch School of the Arts, New York University. Columbine has been dancing with Maxine Steinman for nine years.

 

 

 

Xavier Auza (General Program Ballroom Dance) studied at the Conservatorio de Artes Gatell in Buenos Aires, Argentina and has been teaching ballroom and Latin dance for almost 15 years. A former top competitor himself in American Style, Xavier is a member of the National Dance Council of America. He has worked at Fred Astaire Dance Studios and Pierre Dulaine Dance Center, coaching both professional and amateur dancers. ...READ MORE...

 

Yvonne Gutierrez (General and Pre-Professional Spanish & Salsa) is an instructor, coach, and choreographer of Cuban descent. She has a BS in Computer Science from Pace University and has been on the dance faculty of Henry Street Settlement since 1991, where she initiated their flamenco and salsa program. She is also a member of Flamenco Latino NYC. Under director and choreographer Luis Montero she appeared as guest artist in the Wilmington Opera House for the production RAICES: the History of Flamenco. ...READ MORE...

 

 




 

Yoga

SAT 10:00AM - 11:00AM Vinyasa Yoga

Classes start September 17th!
 
Fees: Drop-in              $15
            4-class card:     $52
            8-class card:     $100

For REGISTRATION: Please contact the School Office at 212.362.6710.

 

 

Alda Reuter (General Program Latin Folk) Being exposed to different cultures at an early age, Alda Reuter developed a lasting interest in the performing arts. Her professional career has included the styles of Jazz, Afro-Cuban, Flamenco and Mexican Folkloric Dance. Also trained in music, Alda is an accomplished percussionist and has appeared with major artists in Mexico, Central America and the U.S. Upon her arrival to NY she became part of the renowned female afro Caribbean dance and percussion ensemble ¡Retumba! Alda is the artistic director and cofounder of "Mexico Beyond Mariachi," an organization that brings an appreciation of folklore, culture and traditions of Mexico through music and dance to thousands of young students and audiences of all ages.
 

Rebecca Bliss (General Program Afro Cuban) is a performer, choreographer, and educator based in Brooklyn, New York. She is currently on the dance faculties of Barnard College and Ballet Hispanico. Rebecca received her initial training in Modern and Ballet at the Alvin Ailey American Dance Center and later devoted over a decade to studying the African-based dances of Cuba. In addition to studying with artists from national dance companies (Conjunto Folklorico Nacional, Ballet Folklórico Cutumba, Yoruba Andabo, Afro-Cuba de Matanzas, Ban Rra Rra), she also studied with master teachers from the Instituto Superior de Arte in Havana. ...READ MORE...

 


 


 


 

Michelle Manzanales (Pre-Professional Company Repertory)is a choreographer and dance educator originally from Houston, TX. Noted as one of the year’s best in 2010 by Time Out Chicago Magazine, her piece Paloma Querida, “a Frida Kahlo portrait in movement,” was hailed as a "visual masterpiece" by Lucia Mauro of the Chicago Tribune and a “gorgeously designed, richly hallucinatory, multi-faceted vision of the artist…” by the Chicago Sun Times. Michelle is the Rehearsal Director for the Professional Company at Ballet Hispanico.

 

 

Pat Catterson (Pre-Professional Improvisation & Dance Making) With parents who were a professional ballroom dancing team and a paternal grandfather who was allegedly a tap dancer in vaudeville, Pat Catterson doesn’t remember a time when she didn’t dance. A 1996 Fulbright Scholar, she has received multiple grants from the NEA, the CAPS Program, the Harkness Foundation and the Ludwig Vogelstein Foundation. Companies, individuals, and schools, have commissioned her work, including the Seattle Dance Project, Salt Lake’s Repertory Dance Theatre, Dance Theatre of Oregon, the Eglevsky Ballet, the Turku School of Art and Communication, Hofstra, Adelphi, Virginia Commonwealth, and Ohio Universities and LaGuardia High School for Music and Art & the Performing Arts. ...READ MORE...


 


 


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