New York Season

2021-2022

Upcoming Performances in New York City


Amanda del Valle | Photo by Rachel Neville

City Center Dance Festival

New York City Center
April 1-3, 2022

BUY TICKETS

Ballet Hispánico presents Doña Perón, the organization’s first evening-length commissioned work. It will make its world premiere at New York City Center, April 1-3, 2022, as the concluding performances of the 50th Anniversary Celebration and part of the City Center Dance Festival. 

The Work

Doña Perón is an explosive portrait of Eva "Evita" Perón, one of the most recognizable, and controversial, women in Argentinian history. The illegitimate daughter of a prosperous farmer, Evita concealed this shameful past as she rose the ranks from dancehall performer to Argentina's First Lady - all before her untimely death at the age of 33. Doña Perón brings to light the extremes of power at the forefront of Evita's life. Her work as an activist and advocate for Argentina's women and working class raised skepticism as she indulged in the opulence of a high-class life. A voice for the people, or a deceitful actress? Ochoa explores these diverging legacies and more in her first-ever evening- length work for Ballet Hispánico.

Doña Perón marks her first evening-length work for the Company and reclaims the narrative of the iconic Latina figure by a Latina choreographer. This will be a seminal work for Ballet Hispánico as the organization moves beyond our 50th Anniversary and continues centering the voices of Latinx artists.

From Annabelle Lopez Ochoa:

"She's not a fairytale character, she's not a literary character. She's a real woman, and for me, it's interesting to put her on stage because she's difficult to pin point."

"I want to give female dancers real roles, not always the nice roles. Women are complex and it's nice to show all of these facets. I'm very grateful that I can put this woman, Evita Perón, on stage as a female choreographer."

The Creative Team

ANNABELLE LOPEZ OCHOA

CHOREOGRAPHER

Annabelle Lopez Ochoa has been choreographing since 2003 following a twelve-year dance career in various contemporary dance companies throughout Europe. She has created works for sixty dance companies worldwide including Ballet Hispánico, Atlanta Ballet, Cincinnati Ballet, Compañia Nacíonal de Danza, Dutch National Ballet, Finnish National Ballet, Royal Ballet of Flanders, Ballet du Grand Théâtre de Genève, Göteborg Ballet, Joffrey Ballet, BJM-Danse Montréal, New York City Ballet, Pacific Northwest Ballet, Pennsylvania Ballet, English National Ballet, San Francisco Ballet, and Les Grands Ballets Canadiens, to name a few. In 2012, her first full length work, A Streetcar Named Desire, originally created for the Scottish Ballet, received the Critics' Circle National Dance Award for "Best Classical Choreography" and was nominated for a prestigious Olivier Award for Best New Dance Production the following year. Annabelle was the recipient of the Jacob's Pillow Dance Award in 2019.

NANCY MECKLER 

ARTISTIC COLLABORATOR

Nancy Meckler is a director known for her work in the United Kingdom with Shared Experience, where she was a joint Artistic Director alongside Polly Teale. Meckler has directed a production of I.D. She was a member of London-based collective the Freehold Theatre Company (1969-1973), where she eventually became Director. The group employed devising methodology to create work, and was the first company to receive the John Whiting Award for "new and distinctive development in dramatic writing," traditionally given to playwrights.

PETER SALEM 

MUSIC

Very much in demand as a ballet composer, Salem has recently completed his third ballet, Broken Wings for the English National Ballet , which opened to huge critical and popular success in April 2016. His media work is also internationally renowned, principally his music for Call the Midwife, which won the Best Television Programme Music category at the Music and Sound Awards 2016, as well as other high profile productions. His extensive theatre work includes many.

MARK ERIC

COSTUME DESIGN

Mark Eric is a costume and fashion designer based in New York City, where he trained at the Fashion Institute of Technology. After designing for several New York City fashion houses, he discovered his passion for costuming for the stage. He enjoys bringing his couture fashion sensibility to his design, often employing artisanal techniques when creating his signature costumes. He has designed costumes for: Robert Battle, Darrell Grand Moultrie, Annabelle Lopez Ochoa, Rennie Harris, Robbie Fairchild, Stefanie Batten Bland, Andrew McNicol, and Marguerite Donlon to name a few. He has costumed works for the Alvin Ailey American Dance Theater, American Ballet Theater, BalletX, Ballet Hispanico, Ailey II, among others. Instagram @MARKERICdesign.

CHRISTOPHER ASH 

LIGHTING, SET, AND VIDEO DESIGN

Philadelphia-based Designer and Filmmaker, Christopher Ash’s work has been seen in 13 countries and been recognized for 15 awards. Equally at home designing projections, scenery or lighting for theatre, opera, and dance as well as direction and cinematography for film. Christopher is currently involved in a multi-phase Guggenheim Works and Process commission with artist John Jarboe. He is also co-creator of an ongoing multi-sensory performance piece “Body Language” with Dublin based dance artist David Bolger and CoisCéim Dance Theatre.

New York Season


Log In



Forgot your password?