ABOUT OUR PERFORMANCES
Our performances seamlessly blend dance excellence, contemporary innovation, and cultural authenticity, telling stories that resonate across generations and cultures. Featuring works by renowned and emerging choreographers, we have reached over 2 million audience members since our founding. With every movement, our dance works bring to life the vibrant traditions and modern expressions of Latinidad.
FROM THE PRESS
"Explosive." – The New York Times
"Infectious…. Playful..." – The New Yorker
"Ballet Hispánico dances with elegance and lyricism." – The Washington Post
PERFORMANCE CALENDAR
Ballet Hispánico Performance (Dallas, TX - AT&T Performing Arts Center)
January 24, 2025
Moody Performance Hall - AT&T Performing Arts Center
2520 Flora St, Dallas, TX 75201
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Ballet Hispánico Performance (Dallas, TX - AT&T Performing Arts Center)
January 25, 2025
Moody Performance Hall - AT&T Performing Arts Center
2520 Flora St, Dallas, TX 75201
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Ballet Hispánico Performance (Dallas, TX - AT&T Performing Arts Center)
January 25, 2025
Moody Performance Hall - AT&T Performing Arts Center
2520 Flora St Dallas, TX 75201
Add to Calendar
Get Tickets
2025 NEW YORK CITY SPRING SEASON
CARMEN.maquia
May 29 - June 1, 2025
Our take on Bizet's passionately crafted tragedy, CARMEN.maquia, offers a contemporary look at a beloved classic that is celebrating its 150th anniversary. Gustavo Ramírez Sansano's quintessential work revitalizes Bizet's timeless tale as bold and electrifying. Highly original and full of elaborate partnering, CARMEN.maquia is thrilling and audacious, hailed as a "masterpiece" by the Chicago Sun-Times.
“Picasso used to say that Carmen was like the bull that nobody could domesticate or control, no? So, we found that similarity where Carmen is like the bull, we just took “tauromaquia,” and took “tauro” out and put “Carmen” in.” - choreographer Gustavo Ramírez Sansano.
FROM THE PRESS
“This Carmen has a spare, elegant, Modernist look.” - The New York Times
"Told through a modernist lens, pairing Bizet’s score with abstract, angular dance." - The New Yorker
"Ballet Hispánico reimagines Bizet's beloved opera, Carmen, with an irresistible fusion of ballet, paso doble, flamenco and contemporary dance." - BroadwayWorld
MEET THE CHOREOGRAPHER
GUSTAVO RAMÍREZ SANSANO was Artistic Director of Luna Negra Dance Theater (2009-2013), and now he combines his work as a freelance choreographer with the direction of Titoyaya Dansa, the company he founded in Spain with Veronica Garcia Moscardo in 2006. Sansano has received numerous awards for his choreography, including first prize at the Ricard Moragas Competition in Barcelona (1997), Prix Dom Perignon Choreographic Competition in Hamburg (2001), and Premio de Las Artes Escénicas de la Comunidad Valenciana (2005). Sansano has been commissioned to create works for many companies such as Nederlands Dans Theater, Compañía Nacional de Danza, Hubbard Street Dance Chicago, Luzerner tanz Theater, Ballet BC, The Hamburg Ballet, Atlanta Ballet, Ballet Hispánico, and Luna Negra Dance Theater, among others.
CARMEN.maquia UNVEILED
This docuseries offers a behind-the-scenes look at our groundbreaking production through intimate conversations with Artistic Director & CEO Eduardo Vilaro, the creative team, and the choreographer. Explore the modern revival of an iconic heroine, blending cultural narratives with themes of love, rebellion, and perseverance.
COMPANY REPERTORY
Our Company Repertory is a fearless body of work that presents the vast and multifaceted Hispanic/Latino diasporas, blending innovation with tradition to tell stories that resonate deeply across generations. These dance works span an extraordinary plethora of choreographic voices, from the trailblazing visions of established artists to the bold expressions of emerging creators nurtured through programs like Instituto Coreográfico. Each piece is a testament to choreographic excellence and Latinidad, exploring themes of identity, resilience, and joy through movement that is as dynamic as the cultures it represents.
Under the leadership of Eduardo Vilaro, the repertory continues to evolve, spotlighting narratives that challenge stereotypes and expand the artistic canon.
